Chris Turney "A fabulous, entertainingly written account of the amazing science behind calendars, dates and dating objects. Essential reading…"

Nick Hornby

Martin Evening

E.J. Hobsbawm

E.J. Hobsbawm

Thomas Paine, Moncure Daniel

Eric Hobsbawm

Dave Thomas David Heinemeier Hansson Leon Breedt

Iain M. Banks

David Diefendorf Edison invented the lightbulb - and motion pictures. Camels store water in their humps. Captain Kidd was a notorious pirate. What do these so-called facts have in common? Theyre all false! Every one is a myth that, through time, has achieved the status of reality. Finally, someone is here to set the record straight, once and for all. In this fully illustrated colour collection of popular misconceptions, freelance writer and journalist David Diefendorf uncovers hundreds of widely accepted truths in various categories: famous firsts, health and the body, history, misquotations and misusages, people, religion, science and technology, and more. Its fun and informative, and a great gift for any brainiac, trivia buff, or know-it-all. James Randi, the internationally-known debunker of pseudoscience and a brilliant magician, provides the entertaining foreword.

Neal Stephenson

George Orwell

Aldous Huxley

Aldous Huxley

O. Linzmayer

Matt Neuburg

Ben Goldacre

Stephen E. Ambrose

Peter Oborne

John Arlott

Koushun Takami Yuji Oniki

Tom Clancy

Antony Beevor

Marks

Dick Winters Cole C. Kingseed

Neal Stephenson

Markus Zusak The Book Thief by Marcus Zusak was the best-selling debut literary novel of the year 2007, selling over 400,000 copies. The author is a prize-winning writer of children's books, and this, his first novel for adults, proved to be a triumphant success. The book is extraordinary on many levels: moving, yet restrained, angry yet balanced — and written with the kind of elegance found all too rarely in fiction these days. The book's narrator is nothing less than Death itself, regaling us with a remarkable tale of book burnings, treachery and theft. The book never forgets the primary purpose of compelling the reader's attention, yet which nevertheless is able to impart a cogent message about the importance of words, particularly in those societies which regard the word as dangerous (the book is set during the Nazi regime, but this message is all too relevant in many places in the world today).

Nine-year-old Liesel lives with her foster family on Himmel Street during the dark days of the Third Reich. Her Communist parents have been transported to a concentration camp, and during the funeral for her brother, she manages to steal a macabre book: it is, in fact, a gravediggers’ instruction manual. This is the first of many books which will pass through her hands as the carnage of the Second World War begins to hungrily claim lives. Both Liesel and her fellow inhabitants of Himmel Street will find themselves changed by both words on the printed page and the horrendous events happening around them.

Despite its grim narrator, The Book Thief is, in fact, a life-affirming book, celebrating the power of words and their ability to provide sustenance to the soul. Interestingly, the Second World War setting of the novel does not limit its relevance: in the 20th century, totalitarian censorship throughout the world is as keen as ever at suppressing books (notably in countries where the suppression of human beings is also par for the course) and that other assault on words represented by the increasing dumbing-down of Western society as cheap celebrity replaces the appeal of books for many people, ensures that the message of Marcus Zusak’s book could not be more timely. It is, in fact, required reading — or should be in any civilised country. —Barry Forshaw

Will Self

Aldous Huxley

Aldous Huxley

Tom Clancy Steve Pieczenik

Aldous Huxley

Andy Budd Cameron Moll Simon Collison

H.P. Lovecraft

Tom Clancy

Eric Meyer

J.D. Salinger

Alastair Reynolds

John Wyndham

Tom Hickman

Arthur C. Clarke

Neal Stephenson Frederick George

Paul Gannon

Thomas Paine

Isaac Asimov

Peter F. Hamilton Remember those fact-filled appendices in Frank Herbert's Dune and JRR. Tolkien's The Lord of the Rings? Here's the equivalent—though separately packaged—for Peter Hamilton's enormous and popular Night's Dawn SF trilogy, comprising The Reality Dysfunction, The Neutronium Alchemist and The Naked God, plus related stories collected in A Second Chance at Eden.

As a "non-fiction" companion volume, The Confederation Handbook maps out this future galaxy's joyous complications. Technologies: the affinity gene allowing telepathic man/machine communication; neural-nanonics implants which link your brain to the net; intelligent voidhawk and blackhawk spacecraft; forbidden antimatter weapons; and space drives. People: human Adamists who reject the affinity gene; Edenists whose affinity links offer a "real" afterlife that replaces religion, struggling colonists everywhere; and three very different alien species—the Tyrathca, Kiint and Jiciro. Places: crowded old Earth with its O'Neill halo of orbital installations; communist Mars; utopian Edenist habitats mining helium-3 fusion fuel from gas-giant planets; quirkily various colony worlds; and the mysterious alien wreckage of the Ruin Ring.

The Handbook carefully, almost too carefully, avoids spoiler revelations about the apocalyptic action of Night's Dawn. As in those books, its Timeline stops before the main story begins, and—besides names of "Possessors" in a cast list slightly updated from The Naked God's—the superpowered returned dead who threaten the entire Federation aren't mentioned at all. Readers nervous of SF terminology may find this a useful guide to the trilogy's huge, exhilarating blend of roller-coaster action and ghost-train chills. —David Langford

Neal Stephenson

David Liss

Peter Moskos

David Simon, Edward Burns

Aldous Huxley

Neal Stephenson

Stuart Langridge

J. Keith

Arthur Koestler

Charlie Brooker

John Wyndham

John Swartzwelder One of a series of comedy science fiction novels featuring slow-witted detective Frank Burly. By John Swartzwelder, the writer of 59 episodes of The Simpsons.

John Winton

37signals Matthew Linderman Jason Fried

Carl Sagan

James Kalbach

Jeffrey Zeldman

Richard Dawkins

Aldous Huxley

Neal Stephenson John Percival Hackworth is a nanotech engineer on the rise when he steals a copy of "A Young Lady's Illustrated Primer" for his daughter Fiona. The primer is actually a super computer built with nanotechnology that was designed to educate Lord Finkle-McGraw's daughter and to teach her how to think for herself in the stifling neo-Victorian society. But Hackworth loses the primer before he can give it to Fiona, and now the "book" has fallen into the hands of young Nell, an underprivileged girl whose life is about to change.

Robert Latham Samuel Pepys

Douglas Adams

Tom Clancy Steve Pieczenik Jeff Rovin

Miguel De Cervantes Saavedra

Steve Krug

John Swartzwelder Comedy western novel by John Swartzwelder, the author of "The Time Machine Did It", and 59 episodes of The Simpsons.

Peter F. Hamilton

John Swartzwelder One of a series of comedy science fiction novels featuring slow-witted detective Frank Burly. By John Swartzwelder, the writer of 59 episodes of The Simpsons.

John Swartzwelder One of a series of comedy science fiction novels featuring slow-witted detective Frank Burly. By John Swartzwelder, the author of "The Time Machine Did It", "Double Wonderful", "How I Conquered Your Planet", and 59 episodes of The Simpsons.

Aldous Huxley

Ray Bradbury

Peter F. Hamilton The acclaimed Peter Hamilton's standalone SF adventure Fallen Dragon sees him taking a breather after the immense, galaxy-spanning Night's Dawn trilogy, with a tauter story of future skirmishing in a mere few solar systems.

Centuries hence, despite faster-than-light travel, human interstellar exploration is stagnating. There's not enough money in it for the vast controlling companies such as Zantiu-Braun, now reduced to extracting profits via "asset realisation"—plundering established colonies that can't withstand Earth's superior weapons tech.

Lawrence Newton's childhood dreams were all about space exploration. Now he's just another Z-B squaddie, trained to use the feared, half-alive "Skin" combat biosuits, which offer super-muscles, armour and massive firepower, all queasily hooked into the wearer's bloodstream and nervous system. Commanding a platoon in Z-B's raid on planet Thallspring, Lawrence has secret plans to make off with a rumoured alien treasure.

But Thallspring resistance is unexpectedly tough, thanks to locals such as Denise Ebourn who have mysterious access to neuro-electronic subversion gear far subtler and perhaps more dangerous than Skin. Meanwhile, how fictional are the stories Denise tells her school pupils, about a fabled Empire that ruled our galaxy for a million years before becoming... something else?

Hamilton excels at violent action, but not with the dreadful simplicity of space opera. Despite his role in the explosive Thallspring situation, Lawrence genuinely hopes to avoid bloodshed—while Denise's lofty idealism results in chilling atrocities, and even Z-B may be less cruel and monolithic than it seems.

A breakneck interstellar chase leads to a satisfying finale and an unexpected romantic twist. This is solid, meaty SF entertainment. —David Langford

Nick Hornby

Gene Wolfe

Jane Espenson

J Lukacs

Isaac Asimov

Isaac Asimov

Greg Bear

Isaac Asimov

Isaac Asimov

Isaac Asimov

Gregory Benford

David Brin

Evan Wright

Richard Dawkins

Bobby Henderson

Richard Dawkins

Paul Graham

Margaret Atwood

Karl Pilkington

Tom Clancy Steve Pieczenik

Nick Hornby

Philip Pullman

Peter Wynne-Thomas

Douglas Adams

Matthew Hoggard

Nick Hornby

John Swartzwelder A comedy science fiction novel, featuring slow-witted detective Frank Burly. By John Swartzwelder, the author of "The Time Machine Did It", "Double Wonderful", and 59 episodes of The Simpsons.

Francis Wheen

Nick Hornby

Daniel H. Wilson

Dan Simmons

Richard Matheson It seems strange to find a 1954 vampire novel in Millennium's "SF Masterworks" classic reprints series. I Am Legend, though, was a trailblazing and later much imitated story that reinvented the vampire myth as SF. Without losing the horror, it presents vampirism as a disease whose secrets can be unlocked by scientific tools. The hero Robert Neville, perhaps the last uninfected man on Earth, finds himself in a paranoid nightmare. By night, the bloodthirsty undead of small-town America besiege his barricaded house: their repeated cry "Come out, Neville!" is a famous SF catchphrase. By day, when they hide in shadow and become comatose, Neville gets out his wooden stakes for an orgy of slaughter. He also discovers pseudoscientific explanations, some rather strained, for vampires' fear of light, vulnerability to stakes though not bullets, loathing of garlic, and so on. What gives the story its uneasy power is the gradual perspective shift which shows that by fighting monsters Neville is himself becoming monstrous—not a vampire but something to terrify vampires and haunt their dreams as a dreadful legend from the bad old days. I Am Legend was altered out of recognition when filmed as The Omega Man (1971), starring Charlton Heston. Avoid the movie; read the book. —David Langford

Chris Turney `Chris Turney's 'Ice, Mud and Blood' is lively, well-researched, and up-to-date. A summary of key discoveries by scientists about past climate change, it ranges widely across time and all over the planet. Turney begins many of these stories with delightful anecdotes about people who centuries ago stumbled on confusing observations that in time came to be understood as the result of climate change.'

Ray Bradbury

Neal Stephenson You may well ask what light cyberpunk maestro Neal Stephenson can shed on the subject of operating systems and interface design. He's better known for his novels: Snow Crash, a dystopian not-too-distant future of avatars, linguistic software viruses and rent-a-nukes; The Diamond Age in which Victorian values come a cropper of nanotechnology; and Cryptonomicon, his 900 page opus spanning the development of hacking from before Bletchley Park to a contemporary data haven in Southeast Asia, complete with an (imaginary, obviously) gay love scene in the woods outside New Haven involving cryptography pioneer Alan Turing.

No one could read a Stephenson novel and not recognise his frighteningly powerful grasp of social and political history, and of technology that underpins all his stories. Read the liner notes on Snow Crash and you'll realise this is a man who probably considers Apple's Human Interface Guidelines to be soothing bedtime reading.

In the Beginning...Was the Command Line gives Stephenson an opportunity to flex his own non-fictional muscles. Part memoir, part developer's history of operating systems, it trawls through CLIs (command line interfaces) such as MS-DOS to GUIs (graphical user interfaces), the then-as now—revolutionary Macintosh OS, and everything since: Windows 98 (note: purist Stephenson doesn't even consider this an OS), Unix and Linux.

By the end of his enlightening, exhaustive elucidation of these and other TLAs, you too may suffer the subject of one of the book's final chapters: "geek fatigue". Not to worry—if there's one thing of which you can be certain it's that Stephenson never takes himself, or his subject, too seriously, and anything that cites Dilbert cartoons and H. G. Wells as source material has got to be a giant step forward. —Liz Bailey

David Foster Wallace

Michel S. Malone

Alan Sokal Jean Bricmont

Neal Stephenson, Frederick George

Jack London

Aldous Huxley

Peter F. Hamilton Peter F. Hamilton's flair for huge, star-spanning SF adventures continues with Judas Unchained. This concludes the single long novel—over 1,800 pages in all—whose first half is Pandora's Star.

Humanity's interstellar Commonwealth is in serious trouble. Thirteen of its hundreds of worlds (linked by wormholes and high-speed trains) were lost to a first mass attack by the insanely hostile alien Primes. The controlling Prime intelligence, MorningLightMountain, can imagine no way of dealing with first contact but genocide—and has the resources to do it.

Amid political and personal chaos, it's becoming clear that the war was arranged by a third party. For centuries, only the fanatical, outlawed Guardians cult believed in this mysterious influence called the Starflyer. New evidence emerges, only to vanish again. Key figures are destroyed by near-invincible assassins crammed with inbuilt "wetwired" weaponry. One determined detective is on the track, but she faces massive political opposition.

The multi-stranded action follows many criss-crossing human stories, with fights, pursuits, quests, deaths, resurrections, exotic landscapes and armaments, good sex, and several interesting aliens. Betrayals are frequent, thanks to brainwashed Starflyer agents in positions of trust. Only the Guardians have a scheme to deal with the Starflyer itself—a grandiose strategy known as "the planet's revenge"—but no one trusts those crazy cultists…

In space, the arms race becomes dizzying, with Prime doomsday weapons used against suns while frantic human research leads to "quantumbusters" so appalling that there's serious moral debate about their use. Can we face the guilt of total genocide, even against a horror like MorningLightMountain? Or is there some way to force this psychopathic genie back into the bottle?

The action climaxes in a long, exhilarating chase sequence spiced with ultra-violent skirmishing as the Starflyer comes into the open at last. Stormgliding, an extreme sport introduced in book one, becomes vital to the race against time. Meanwhile, rival starships with different plans chase one another to the Prime system. Hamilton delivers the expected multiple payoffs with suitable pyrotechnics and a satisfying scatter of happy endings. A long, colourful, suspenseful example of modern British space opera. —David Langford

Nick Hornby

Eric Spitznagel

Karl Pilkington

John Wyndham

Nick Hornby

William Golding Lord of the Flies , William Golding's classic tale about a group of English schoolboys who are plane-wrecked on a deserted island, is just as chilling and relevant today as when it was first published in 1954. At first, the stranded boys cooperate, attempting to gather food, make shelters, and maintain signal fires. Overseeing their efforts are Ralph, "the boy with fair hair," and Piggy, Ralph's chubby, wisdom-dispensing sidekick whose thick spectacles come in handy for lighting fires. Although Ralph tries to impose order and delegate responsibility, there are many in their number who would rather swim, play, or hunt the island's wild pig population. Soon Ralph's rules are being ignored or challenged outright. His fiercest antagonist is Jack, the redheaded leader of the pig hunters, who manages to lure away many of the boys to join his band of painted savages. The situation deteriorates as the trappings of civilization continue to fall away, until Ralph discovers that instead of being hunters, he and Piggy have become the hunted: "He forgot his words, his hunger and thirst, and became fear; hopeless fear on flying feet." Golding's gripping novel explores the boundary between human reason and animal instinct, all on the brutal playing field of adolescent competition. —Jennifer Hubert

D. Leavitt

G.K. Chesterton

Eric Brown Philip K. Dick

John O'Farrell

John Allsop

John Wyndham

SJ Gould

Peter F. Hamilton Peter Hamilton is famed for SF blockbusters of far-future interstellar adventure. By contrast Misspent Youth is a social comedy set in the year 2040 in England. When gene therapy rewinds Jeff Baker's age back to his early 20s he finds that wisdom and experience are no match for hormones...

The rejuvenation treatment, developed by federal Europe to impress laggard America, is so complex and expensive that only one person every 18 months can receive it. Jeff is the first because he's a celebrity inventor, father of the "datasphere" which superseded the Internet.

Family upheavals follow. An "arrangement" with his much younger, still beautiful wife Sue lets her enjoy lovers while the aged Jeff turns a blind eye: now things are different. Meanwhile their 18-year-old son Tim is struggling ineptly with teenage sexual pangs and the impossibility of understanding girls. All part of growing up, but Jeff's renewed youth brings farcical complications.

It's not just that Jeff now fancies Sue again. He can't resist even younger women. An early one-night stand is publicised all over the datasphere. Embarrassment escalates when he's seduced by the granddaughter of a long-time pub companion. Worse, several of Tim's ravishing female schoolmates are interested in Jeff the celebrity stud. The dishiest of all is Tim's latest, most hopelessly adoring girlfriend.

Can it be coincidence that the action mostly happens in Rutland?

This comedy of embarrassments and revelations has a darker background: Europe is plagued by separatist movements whose terrorist habits make the old IRA look like pussycats. The turning point in Jeff's tangled relationships comes when he attends a London conference surrounded by protest that breeds riot—with Tim among the protesters.

A foreshadowed twist leads to a finale that mixes cynicism with sentiment. En route Misspent Youth is a lot of fun. —David Langford

Cameron Moll

John Christopher

Eric A. Meyer

Peter F. Hamilton

Bill Bryson

Joseph O'Neill `Netherland, once read, will not be readily forgotten.'

William Gibson Case was the best interface cowboy who ever ran in Earth's computer matrix. Then he double- crossed the wrong people.… Winner of the Hugo, Nebula and Philip K. Dick Awards.

Peter F. Hamilton

Tom Clancy Steve Pieczenik

George Orwell

Bill Bryson Bill Bryson is an unabashed Anglophile who, through a mistake of history, happened to be born and bred in Iowa. Righting that error, he spent 20 years in England before deciding to repatriate: "I had recently read that 3.7 million Americans according to a Gallup poll, believed that they had been abducted by aliens at one time or another, so it was clear that my people needed me." That comic tone enlivens this account of Bryson's farewell walking tour of the countryside of "the green and kindly island that had for two decades been my home."

Bill Bryson

Des Hickey, Gus Smith

Fake Steve Jobs

Charles Darwin

Richard Dawkins

Larry Ullman

Peter F. Hamilton

Carolyn A. Snyder

Mark Wagh

Aldous Huxley

Phil Tufnell Peter Hayter

E.T. Smith

Philip Roth

Aldous Huxley

Tom Clancy Martin Harry Greenberg

Nick Hornby

William Buckland

Peter-Paul Koch

Isaac Asimov

Jane Austen, Seth Grahame-Smith

William Goldman

Sir Isaac Newton

Jason Beaird

Rasmus Lerdorf Kevin Tatroe

Neal Stephenson Quicksilver is a massive, exuberant and wildly ambitious historical novel that's also Neal Stephenson's eagerly awaited prequel to Cryptonomicon—his pyrotechnic reworking of the 20th century, from World War II codebreaking and disinformation to the latest issues of Internet data privacy.

Quicksilver, "Volume One of the Baroque Cycle", backtracks to another time of high intellectual ferment: the late 17th century, with the natural philosophers of England's newly formed Royal Society questioning the universe and dissecting everything that moves. One founding member, the Rev John Wilkins, really did write science fiction and a book on cryptography—but this isn't history as we know it, for here his code book is called not Mercury but Cryptonomicon. And although the key political schemers of Charles II's government still have initials spelling the word CABAL, their names are all different...

While towering geniuses like Newton and Leibniz decode nature itself, bizarre adventures (merely beginning with the Great Plague and Great Fire) happen to the fictional Royal Society member Daniel Waterhouse, who knows everyone but isn't quite bright enough for cutting-edge science. Two generations of Daniel's family appear in Cryptonomicon, as does a descendant of the Shaftoes who here are soldiers and vagabonds. Other links include the island realm of Qwghlm with its impossible language and the mysterious, seemingly ageless alchemist Enoch Root.

As the reign of Charles II gives way to that of James II and then William of Orange, Stephenson traces the complex lines of finance and power that form the 17th-century Internet. Gold and silver, lead and (repeatedly) mercury or quicksilver flow in glittering patterns between centres of marketing and intrigue in England, Germany, France and Holland. Paper flows as well: stocks, shares, scams and letters holding layers of concealed code messages. Binary code? Yes, even that had already been invented and described by Francis Bacon.

Quicksilver is crammed with unexpected incidents, fascinating digressions and deep-laid plots. Who'd believe that Eliza, a Qwghlmian slave girl liberated from a Turkish harem by mad Jack Shaftoe (King of the Vagabonds) could become a major player in European finance and politics? Still less believable, but all too historically authentic, are the appalling medical procedures of the time—about which we learn a lot. There are frequent passages of high comedy, like the lengthy description of a foppish earl's costume which memorably explains that someone seemed to have been painted in glue before "shaking and rolling him in a bin containing thousands of black silk doilies".

This is a huge, exhausting read, full of rewards and quirky insights that no other author could have created. Fantastic or farcical episodes sometimes clash strangely with the deep cruelty and suffering of 17th-century realism. Recommended, though not to the faint-hearted. —David Langford

Tom Clancy

Peter F. Hamilton The term "space opera" has evolved over the decades. Originally it meant "hacky, grinding, stinking, outworn, spaceship yarn" (Wilson Tucker), but since then it has come to be (slightly) less pejorative, encompassing any sci-fi action story on an interplanetary or interstellar scale. The Reality Dysfunction rests firmly in the space- opera camp with its intense starship combat, roguish space captains and raw frontier planets, but Peter Hamilton keeps the formula fresh and up-to-date with an infusion of "modern" science fiction technology. His universe is digitally and nanotechnologically savvy, which opens up plenty of possibilities for new perils and plot twists.

It is the late 26th century and humanity's thriving culture spans 200 planets. The usual squabbles and disagreements continue, but generally everyone gets along and lives well as humanity's outward expansion continues apace. On newly colonized Lalonde, though, a strange force emerges from the jungle, lobotomizing people and turning them into super-powered soldiers. At the same time, the story of Joshua Calvert emerges. He's the young captain of a trading ship, who innocently travels to Lalonde and becomes embroiled in the mysteries there. Both threads have plenty of action and exotic scenery. Peter Hamilton's descriptive prose, particularly in action sequences, is breathtaking (and scientifically accurate), creating a dramatic backdrop for a story where the stakes keep getting higher, the villains keep growing more evil and the heroes keep surviving—but only just. Space-opera fans will enjoy this deftly written and engaging novel. Those who feel they don't like the genre might give this example a try to see just how unhacky, ungrinding, sweet-smelling, and robust it can be. —Brooks Peck

Tom Clancy

Elspeth Huxley

Cordwainer Smith

Andy Hertzfeld

Will Self Russell Hoban

Thomas Paine

M.R.D. Foot SOE The Special Operations Executive 1940- 1946 reads just as well now as it did when it was first published by the BBC in 1984 to coincide with a television series—not least because its author, M.R.D Foot, was appointed the official historian to the SOE just after World War Two and has had access to its entire archive. The SOE was hastily cobbled together in 1940 to wage subversive campaigns behind enemy lines, and by and large it made up the rules as it went along. It recruited where and when it could. As might be expected, the senior ranks generally came from the echelons of the public schools, the City, the business world and the armed services; but its agents were a bizarre mix of eccentrics and mavericks from all over the world—including North American newspaper editors, South American businessmen, Spanish smugglers, Abyssinian tribesmen, Norwegian mountaineers, schoolchildren, Dutch printers, Greek outlaws, Slovene peasants, Malayan rubber workers, Siamese noblemen, Naga hillmen, Polish and Czech railway guards and Chinese tycoons. All in all, however, SOE's total strength never totalled more than 10,000 men and 3,200 women. Often the training was crude and the operations were ill-thought out and as a result many failed. But that only serves to make those that succeeded against such long odds all the more impressive. Occasionally, such as its attack on the Norsk Hydro plant at Rjukan, SOE's operations were critical to the outcome of the war, but for the most part its successes owed more to the longevity of attrition rather than any immediate outcome.

The SOE spent much time engaged in diversionary activity. It was said that each day Hitler spent at least half an hour considering Abwehr reports on SOE activities and that he was never entirely sure of their place in the overall framework of Allied plans. But perhaps the greatest success of the SOE was the way it managed to foster a mentality of resistance in all areas of Nazi occupation. Populations that might otherwise have settled for an easy life were galvanised into a permanent state of mini-rebellion, thereby ensuring that the occupying forces could never relax for a moment. Foot is the ideal guide to walk you through this outfit of which much has been spoken but little is known, sorting out the fact from the fiction but he still finding ample room for storytelling. Your perspective on World War Two will never be quite the same again after reading this. — John Crace

Kristin Gore

Arthur Koestler

Alan Deutschman

Isaac Asimov

Marcus Binney

Richard Dawkins

Joss Whedon

Keith R.A. DeCandido

Joss Whedon

Gene Wolfe

Romeo Dallaire

Nick Hornby

Shaun Udal

Bill Bryson

Richard P. Feynman

Richard P. Feynman

Neal Stephenson

Ray Bradbury

Jonathan Glancey

Shrabani Basu This is the riveting story of Noor Inayat Khan, the descendant of an Indian Prince Tipu Sultan, the Tiger of Mysore, who became a British secret agent for SOE during World War II. Born into an illustrious Indian family in 1914 and brought up in the non-violent Sufi religion, Noor seemed an unlikely secret agent. Yet she became the first female radio operator to be landed in enemy-occupied France, and refused to abandon her post in Paris in 1943, continuing her work under extremely dangerous circumstances. Shrabani Basu tells the moving story of Noor's life from her birth in Moscow - where her father was a Sufi preacher - to her capture by the Germans. Noor was one of only three women SOE awarded the George Cross and, under torture, revealed nothing but her name - but not her real name, nor her code name, just the name she used to register at SOE: Nora Baker. Kept in solitary confinement, chained between hand and feet and unable to walk upright, Noor existed on bowls of soup made from potato peelings. Ten months after she was captured, she was taken to Dachau and, on 13 September 1944, she was shot. Her last word was 'Liberte'.

Antony Beevor

Jon Courtenay Grimwood

Richard P. Feynman Ralph Leighton

Neal Stephenson

Peter F. Hamilton

Dan Simmons

Matthew Collin

Aldous Huxley

John Swartzwelder Humor/mystery novel by the writer of 59 episodes of The Simpsons.

Harper Lee

Tom Clancy Steve Pieczenik

Tom Clancy Steve Pieczenik

Simon Singh Edzard Ernst

Marc Scott Zicree

John O'Farrell A cantankerous history of Britain by one of our most popular humorists

Carl Sagan

Mary Wollstonecraft

Mark Steel 'An irreverent romp through the Gallic uprising...illuminating and funny'

Clarence Brown Evgenii Zamiatin

Malcolm Crawford Joshua Marker

Dan Cederholm

Richard P Feynman

Ed Smith

Bruce Marshall The White Rabbit’ was the code name of Wing Commander F.F.E. Yeo-Thomas when he parachuted into France in 1942 as a member of the Special Operations Executive with the Resistance. For the next eighteen months he was responsible for organising all the separate factions of the French Resistance into one combined ‘secret army’. On three separate missions into occupied France he met with the heads of Resistance movements all over the country, and he spoke personally with Winston Churchill in order to ensure they were properly supplied. His capture by the Gestapo in March 1944 was therefore a terrible blow for the Resistance movement. For months he was submitted to the most horrific torture in an attempt to get him to spill his unparalleled knowledge of the Resistance, but he refused to crack. Finally he was sentenced to death, and sent to Buchenwald, one of the most infamous German concentration camps. The story of his endurance, and survival, is an inspiring study in the triumph of the human spirit over the most terrible adversity

Stephen Jay Gould

Max Brooks

Karl Pilkington Stephen Merchant Ricky Gervais

Adam Roberts

Dave Shea Molly E. Holzschlag

Max Brooks